Category Archives: General Features and Columns

Murals Breathe New Life Into Bunbury CBD

© Darren Tynan 2014.

All images and written articles are the property of Darren Tynan. Under no circumstances can they be reproduced, copied, adapted, manipulated or published without permission from the copyright owner.

Words and photography by Darren TYNAN

In the words of Andrew Frazer, a contributing artist and driving force behind Bunbury’s Re.Discover project, art can translate and express ideas and yearnings where the ‘poverty of human language’ falls short.

Along with Mr Frazer, Bunbury welcomed five Western Australian artists who created murals around the CBD from 15-18 January 2014. Jodee Knowles, Anya Brock, Kyle Hughes-Odgers, Stormie Mills and Tim Howe painted their poetic visions throughout the streets.

Knowles, a practicing artist for nine years, works with Klimt-like patterns that accent the vivid, glazed eyes of her subjects – there’s something beautiful but discomforting about her work. Enter My Void, currently on show at Bunbury Regional Art Galleries, depicts a contorted human body morphing into an animal-like contraption; the use of pattern in this work is particularly symbolic for Knowles.

Observe her mural long enough, and the distance between you and the artwork dissolves – the faces Ms Knowles paints become haunting portraits of self-recognition.

Ms Knowles states that she applies a great deal of research to her creative process, and that her themes are based around the human condition; she is involved in ‘thematically dealing with the feeling of being torn between addiction and satisfaction, between excess and boredom’. She explores how the dichotomies of joy and sadness manifest as beauty in her subjects – her goal is to ‘try to get some of that essence into the face’. It’s relatable, and completely palpable, precisely because it’s so human.

‘We all know sadness, we all know joy’, she said.

Discovering her love for painting while working in the fashion industry in London, Anya Brock has surely created one of the most vibrant and colourful walls in Bunbury.
Subtly muted primary colours and geometric shapes are striking against bold black lines. Ms Brock doesn’t become too excessive or garish with her use of colour; her tones are thoughtfully chosen and complimentary while also being simply inviting. There’s a somewhat ‘care free’ vibe to her mural that also adds to its fun appeal.

Ms Brock explained that she uses courage to paint expressively, and that she doesn’t like to plan murals because it takes the fun out of it. She elaborated that she is careful not to overthink or become too clinical with her creative process.

‘It’s about a multi stage process, being quite messy and rough and painting with a lot of courage’, she said.

Ms Brock mentioned that she was very pleased to be a part of the Re.Discover project, and that her Bunbury mural is the work that she is happiest with from her murals so far.

Complimenting Anya’s colourful palette, local tattoo artist Tim Howe painted an equally vibrant mural that was chosen to compliment the Good Earth Surf Shop that the wall is next to. Growing up surfing, Mr Howe explained that his ‘main interpretation was something colourful and natural’. Howe’s colours literally jump out of the wall; a swirling blue mass of hair is informed by tribal-like line work, which draws the eye down to the excellent use of reflections and shadows in the subject’s face.

Mr Howe’s work, which is currently on display at BRAG, reflects his diversity as a truly talented tattooist and artist–his memento mori sculptures and paintings offer a different approach to his art that explores the macabre side of nature.

‘I don’t really limit myself to anything’.

Mr Howe said that that public reception has been favourable and the contributing artists have been a pleasure to work with throughout the project.

‘It’s probably the coolest thing I’ve been a part of’, he said.




Anya Brock
Anya Brock



Jodee Knowles
Jodee Knowles




Kyle Hughes-Odgers
Kyle Hughes-Odgers




Stormie Mills
Stormie Mills



Tim Howe
Tim Howe






Benefits of a Wandering Mind

Words by Darren TYNAN


For as long as I can remember, I’ve been a daydreamer; ‘He’s off with the fairies’ is what people would say to me when I was a boy. Although I can be very attentive and involved with things, my mind continually wanders and I know I’m not alone.

Clinical Hypnotherapist John McGrail highlights that daydreaming often gets a bad rap because it “represents ‘not doing’ in a society that emphasizes productivity”. It’s understandable why that’s a commonly held belief considering the dominant capitalism of the Western world, but I consider daydreaming to be an entirely positive thing. I’ll explain why in the following story:

I was driving to work for the umpteenth time. I will note, with an absolute empathy for social injustice and poverty, that I was clearly in a privileged position to despise my job, because at least I had one. The fact remained that I still felt utterly empty and unfulfilled. I say this, not in a selfish or tragic sense, but in a state of self-awareness regarding the pursuit of personal goals. Money was intrinsically related, as I had to escape the prison of debt I had set myself, but it wasn’t my sole concern. My concern was one of principality.

Here I was, driving to work, to do something I didn’t care about, to earn the funds, to pay for the new car I’d convinced myself I needed, which I mostly used to get to work. There was an overwhelming predictability to the cycle and I wanted out. I noticed I was squandering a lot of money on booze and haphazard nights in town, partially to numb the inevitability of the cycle. This realisation had a kind of nauseating quality to it. It was as if I had been gradually building a prison around myself, brick by brick, oblivious to the fact, and something suddenly reminded me that I was about to enclose myself within it. I got to work with a chisel.

I’ll never forget the sneer on a past employer’s face as they remarked, ‘You’re a dreamer’. There was a sense off offbeat complacency in their voice, as their eyes darted around for validation and approval in the room. I wasn’t going to incite a debate that would inevitably result in their vehement disapproval. I had been performing my tasks as usual, although my eyes must have noticeably glazed over. Thinking back, I may as well have been disconnected from my physical self. I simply wasn’t there.

I knew this wasn’t a contained example; it had a sense of universality to it. How could we stifle someone’s imaginative integrity, while the monolithic walls of industrialisation close in? Each day, I felt like some kind of mechanical droid; I had become an abstraction of myself; a partial shadow of my own potentiality; a byproduct of introspective negligence.

Looking back, I harbor no resentment toward that person but I know that it wasn’t their intention to reinforce a sense of ‘focus’ on a mechanical task for the sake of business efficiency or to remind me of my safety. Rather, the underlying message was that they truly believed daydreaming to be an indisputably ‘bad’ thing. I now consider that just because imagination and self-reflection are not warranted within the parameters of a specific business model, doesn’t mean that they are inherently ‘unproductive’.

According to psychology professor Scott Kaufman’s Theory of Personal Intelligence, cognitive ability is important in the development and pursuit of personal goals. Kaufman explains that acts such as daydreaming are related to spontaneous forms of cognition, including intuition, the triggering of memories, and introspection. He goes on to say that mind wandering enables, “reflective consideration of the meaning of events and experiences, simulating the perspective of another person, evaluating the implications of self and others’ emotional reactions, moral reasoning, and reflective compassion”.

How can we say these things are unimportant in the development of humanity? Daydreaming enabled me to look within and realise I had subscribed to things I never actually wanted. The specifics of my situation hardly matter. What matters is that you take away a sense of critical-insight from these ideas.

Consider everything that you hold dear. Consider your values, meaningful experiences, personal goals, and ask yourself what actually matters in this world. It’s remarkably easy to forget when we’re shaped and impressed with so much bullshit.

BMX Kids Never Grow Up


Words and photography by Darren TYNAN

Local BMX competitor Jacob Cochrane was born into a passion for high energy sports; a love for everything bike related has grown into a lifelong commitment that he promises to keep.

After taking out third place in the men’s 25-29 state championships in 2012, Jacob also competed in the national championships in Brisbane earlier in 2013 and has recently taken the role of Vice-President for the Bunbury BMX club. He looks forward to the future and reminds me of something very important – to never lose our childlike capacity to have fun and aspire to fulfill our dreams; it’s something within us all.

Jacob smiles as he remembers the resourcefulness of his early childhood BMX experiences, saying that it all began as a way of riding around with friends and having fun. In a doubtless display of ability, he even performed a jump over his nana; his tenacity and her trust combined to perform a feat that was both humorous and perhaps anxiety-inducing for onlookers.

Since beginning his riding career at a serious level, Jacob said competing in BMX fulfilled his expectations as something very worthwhile and enjoyable.

‘It was what I expected it to be. I haven’t really stopped since then’, he said.

‘Before last year I was only doing local events. Bunbury on Wednesday nights for something to do during the week. Last year I decided I was going to ride the state titles, which is the WA teams. I rode that and really enjoyed it, so I set my mind to going to the nationals this year’.

Jacob explained that competing at the nationals, an event held earlier this year in Brisbane at an Olympic training facility, was a tough challenge as his debut national event although he didn’t have any expectations.

‘To be there was the first priority. Then I realised when I got there that everything after that was a bonus’, he said.

‘There’s still a level of professionalism where everyone is out to win and does a lot of training before and what not, but it’s still very relaxed as everything with BMX is. It’s very family orientated, no stress, everyone talks to everyone and you feel very welcome’.

Jacob has since taken on his new role at the Bunbury BMX club and will be training hard to compete in the state titles in October, the main event for WA and one of the last events before the Christmas break.

‘I’m looking forward to putting some input into the club. Not many riders are on the committee either so it’s a good chance to voice the riders’ opinions or changes to the track and all that sort of stuff’.

He emphasises that he doesn’t allow the competitive nature of BMX to get in the way of his primary concern – to enjoy himself. When asked how to define his passion in three words, he said it was all ‘too much fun’. His lips turned up again in a knowing smile, mentioning that ‘never grow up’ is another phrase that could describe his BMX experience really well.

Higher Learning is Not a Letter

Image: dtynan
Image: dtynan

Words by Darren TYNAN

While university grades are supposed to be a representation of a graduate’s ability level and knowledge of a specific discipline, are marks arbitrary by their very nature? I take a plunge into the grading pool to examine this question.

Anyone who’s studied in high level academic institutions knows how the system works. Ideally, a mark on a piece of paper acknowledges a student as having a certain amount of competence and expertise in their field of study; these assets can be used theoretically and practically outside of their chosen scholastic institution.

That all sounds well and good, but because there’s no universal grading system that underpins universities as a collective, a high Credit at one university may be considered a low Distinction at another, or a C+ mark considered a C elsewhere. Similarly, lecturers will all grade differently. Even entry level prerequisites are different for universities and are often governed by available places in the given course; it seems like a precarious balancing act hinged on educational inflation and financial profitability.

Every time I hear an overemphasis on marks from my peers, I cringe a little because I know there’s so much more substance to higher learning than an arbitrarily assigned letter on a page. After researching the benefits of higher learning, I found that I resonated with educational theorists Martin Haigh and Dr Valerie Clifford. They suggest that the purpose and goals of higher education shouldn’t be based on students’ employability factors alone, but rather their core competencies and moral values. Moral judgment, critical thinking and global awareness are the ideal skills to create a global and civilized society that promotes tolerance, debate and social responsibility.

Similarly, French Economist Jacques Delors highlights the key factors of higher education in his work ‘Learning: The Treasure Within’. Delors emphasises that graduates will ideally learn skills to comprehend the world, learn competencies needed to interact with people and problems, develop intelligence, sensitivity and aesthetic appreciation, and appreciate the value of all beings.

As a student, if I am to embrace this holistic way of thinking, how then should I feel about that daunting letter assigned to my work? Grading is an inherent quality in academic institutions; it maintains a kind of consistency that enables universities to operate. Without it, there’s no guarantee that students won’t filter through the system and drop out mid-course, squandering the resources and funding that enables educational bodies to exist in the first place. So it would seem that we cant abolish the concept of grading altogether, but merely recognise the requirements of grades and their subsequent limitations.

For many students, good grades are an institutional necessity, in order to transition from undergraduate courses to Honours programs or Master’s degrees. So either grades are emphasised to woeful proportions, or a student is completely passive about grading altogether, scraping by with bare passes. I believe students must find a balance between being obsessive and passive, appreciating and growing using the feedback from their peers and mentors, but also being aware of the limitations of grading.

The more that I consciously think about the holistic experience of higher learning, the more I realise that is not a letter; it is tolerance, growth, persistence, critical thinking, innovation and love. I had this in mind when I recently had a conversation with a fellow student, who was so caught up in potential marks that it had blinded them to the universal beauty of their creative project. The transcendental nature of their creative work, the speculative value, the yearning inquisition, the aesthetic grandeur, all of this seemed to revolve around the arbitrary letter that would be assigned to it. While the project will exist as a cultural artifact for as long as it is preserved, will anyone actually care about the grade percentage assigned to it one year from now? It’s highly unlikely.